En 11 Composition

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En 11 Composition

BYOL (BRING YOUR OWN LAPTOP)

Fall 2007

Dr. Richard Regan

Donnarumma Hall 103

Fairfield University

rjregan@mail.fairfield.edu

203-254-4000 ext. 2794

Office hours: Monday 11:30-12:15 & after class; Wednesday 3-4:30*; Thursday 11:30-12:15 & after class

and by appointment *except on Ed Tech Committee days

The course is divided into four modules, for four types of writing: narration, exposition, description, and persuasion. This organization is reflected in the textbook, Patterns for a Purpose, 4th edition (2005), ed. Clouse (McGraw-Hill), available in the bookstore. You must have this textbook.

Patterns for a Purpose, 4th edition (2005)

Take a look an the green navigation menu which floats in the left column of this page. Clicking of the name of any module will bring you to that place on this course page, and will also open a submenu of links to helpful websites. So bookmark this course page in your browser, and when you get here just click on the part of the course you're working on. The floating menu will follow you as you scroll through that module. If you scroll down or up to another module, however, the floating main menu will remain open the the module you just clicked. I recommend that you navigate this page by clicking on module names in the floating green menu.

There are four principal grades in the course, each worth 25%. The final grade will also be affected by performance on homework and quizzes, and by attendance. You are expected to attend every class: a point is deducted from your semester average for every two cuts. Excused absences by written note from a Dean’s office, Student Services, or your faculty advisor.

Each essay must be submitted on time by email as an attached file. All work for the course must be saved in a portfolio for evaluation. All work must be written In Microsoft Word, for editing purposes.

Email is a crucial tool in the course. This class has worked especially well when we can look at student essays emailed in class. You will also be emailing work from our classroom to your own e-mail address and to me (rjregan@mail.fairfield.edu). You should have at least two ways of sending and receiving email; Hotmail, Gmail, and Yahoo offer free email accounts.

I will remove names from emailed papers I share with the class, but we will also share essays with each other in small groups (4 or 5) during class. This peer editing has proven quite helpful, and is an important part of the course.

Students with documented learning disabilities should see me for assistance.

Thursday, September 6 - Introduction and Writing Sample

Module 1 - Narration

Monday, September 10 - "Reading Critically," pp.1-11; "Planning an Essay," pp. 33-40

Patterns of Narration and Essays: pp. 155-182:
Chris Abani, "The Lottery"
Langston Hughes, "Salvation"
William Glaberson, "Seeking Justice After a Fatal Spin of the Cylinder"

Mini-essay topics: p. 172 #2; p. 176 #2; pp.181-82 #2

Thursday, September 13 -

Read the inside covers of Patterns for a Purpose, which describe Narration, Description, and six different kinds of Exposition.

More Narrative Essays: pp. 182-198
Natalie Kusz, Ring Leader"
Jean Shepherd, "Lost at C"

Mini-essay topics: p. 188 #2; 197-98 #2

Topics for main essay: p. 205; Checklist: pp. 164; Stuck? pp. 50-57

Monday, September 17 - Main Essay due - #1 Narration.

You may rewrite this essay as many times as you wish. Each new version will be graded, and the new grade will replace the previous grade.

Sign up for conferences. Rewrite #1 is due Monday, September 25. Hints on revision, p. 77-84.

Narrative and Fiction: pp. 650-654, 199-203
George Orwell, "A Hanging"
Lee K. Abbott, "The View of Me From Mars"

Mini-essay topics: p. 656 #2, bullets 1 or 3; p. 204 #2, 3

Here are some web sites you might be interested in. Some of their pages are linked in the green column on our course page, on your left.

Paradigm Online Writing Assistant is an interesting collection of advice about several different types of writing. There is no magic formula which guarantees good writing, so it's helpful to hear different voices on the subject.

Guide to Grammar and Writing is a large site with enough parts to keep you busy all summer, and beyond. There are interesting sections on different kinds of writing, and grammar sections with interactive quizzes. I'm not one of those writing teachers who believes that grammar study helps make good writers. It probably makes good grammarians. When I went to high school and studied Latin for the first time, I discovered that I finally understood the rules for English grammar because the early grammarians had based their rules for English on the rules for Latin. Times have changed somewhat, and most enlightened writers and editors now believe in the principle of usage, meaning that "correct" language is what the majority of educated speakers use, and it's always changing. The Word Detective is an up to date site with creative ideas about language.

Purdue University's Online Writing Lab is the most famous of its kind. Notice the section on Student/Teacher Handouts, which addresses many common problem areas in writing.

Here is a web page which provides editing aids:

The Editing and Rewriting Process

Note the editing checklist at the bottom of the page. And here's another:

The Deadly Sins Checklist

Module 2 - Exposition

Thursday, September 20 - Classification - Division, pp. 443-451

Essays, pp. 455-467, 477-483

Sissela Bok, "White Lies"
Martin Luther King, Jr., "The Ways of Meeting Oppression"
David Bodanis, "What's in Your Toothpaste?"
Desmond Morris, "Territorial Behaviour"

Mini-essay topics: pp. 458 #2; p. 462 #2; p. 468 #2; p. 485 #2. Put your last name and a short title in the subject line of the email, like "Smith Classification mini."

Monday, September 24 - Process, pp. 267-276. REWRITE OF #1 DUE

Essays, pp. 277-296

Student essay: "A Visit to Candyland"

Miklos Vamos, "How I'll Become an American"
Diane Cole, "Don't Just Stand There"
Henry Louis Gates, Jr., "In the Kitchen"

Mini-essay topics: p. 284 #2; p. 290 #2; p. 298 #2. Put your last name and a short title in the subject line of the email, like "Smith Process mini."

Thursday, September 27 - Comparison - Contrast, pp. 323-333

Essays, pp. 338-372

Bruce Catton, "Grant and Lee: A Study in Contrasts"
Suzanne Britt, "Neat People vs. Sloppy People"
Nicholas Kristoff, "In Japan, Nice Boys (and Girls) Finish Together"
Alice Walker, "Am I Blue"
Deborah Tannen, "Squeaky Wheels and Protruding Nails: Direct and Indirect Speech"
Arthur L. Campa, "Anglo vs. Chicano: Why?"

Mini-essay topics: p. 342-43 #2; p. 347 #2; p. 352 #2; p. 358 #2; p. 367 #2; p. 373 #2. Put your last name and a short title in the subject line of the email, like "Smith Comparison mini."

Monday, October 1- MANDATORY LIBRARY SESSION

Thursday, October 2 - Cause - Effect, pp. 381-389

Essays, pp. 394-429

Dorothy Siegel, "What is Behind the Growth of Violence on College Campuses"
Andrew Sullivan, "Why the M Word Matters to Me"
James Surowiecki, "Paying to Play"
Eyal Press, "Fouled Out"
Brent Staples, "Just Walk on By: A Black Man Ponders His Power to Alter Public Space"
Calvin Trillin, "It's Just too Late"

Mini-essay topics: p. 400 #2; p. 403-4 # 2; p. 408 # 2; p. 414 #2; p. 420-21 #2; p. 431 #2. Put your last name and a short title in the subject line of the email, like "Smith Cause mini."

Now it's time to choose an expository form for your second major essay, due Tuesday, October 10.

There are some good topics and checklists on the following pages:

Classification-Division, Topics: 488; Checklist: 451

Process, Topics: 318; Checklist 276

Comparison-Contrast, Topics: 376; Checklist: 333

Cause+Effect, Topics: 440; Checklist: 389

Since Expository writing is often more formal than Narration, you might find it helpful now to read Chapter 3 "Writing and Rewriting," pp.61-84. Part of this chapter deals with rewriting, which we'll be doing a lot of.

Choose a form and write a three to four page essay. Remember that you can develop one of your mini-essays into the major essay. Send the essay to me as an email attachment. Put your last name and "#2 Exposition" in the subject line of the email. Sign up for a conference time. You may rewrite this essay as many times as you wish. Each new version will be graded, and the new grade will replace the former grade.

Monday, October 8- HOLIDAY - Class meets on Tuesday

PAPER #2 (Exposition) DUE TUESDAY

Introduction to Zen and the Art of Motorcycle Maintenance

As you write and revise these essays, remember that an important element of your approach is the voice you write in. You can be serious, playful, earnest, calm, excited, sarcastic, or any other quality which you think might be effective and which you feel comfortable with.

Linguists often divide speech into five levels of social interaction:

Oratorical language is the formal speech of important public occasions, like an inauguration.

Deliberative language is the speech of lectures, for example, where the speaker controls the occasion and doesn't expect questions or interruptions.

Consultative language is less formal, and the speaker expects some response from the listener(s).

Casual language is everyday speech, often full of slang, where the speaker pays little or no attention to language standards.

Intimate language is spoken in families, in couples, between siblings or close friends, and has private references or code which the outsider has little chance of understanding.

Thursday, October 11 - Definition, pp. 491-497.

Essays, pp. 502-534

Judy Brady, "I Want a Wife"
Jonathan Rauch, "Caring for Your Introvert"
Jo Goodwin Parker, "What is Poverty?"
Malcolm Gladwell. "The Art of Failure"
Elie Wiesel, "To Be a Jew"

Mini-essay topics: p. 505 #2; 510 #2; 515 #2; 526 #2; 535-6 #2. Put your last name and a short title in the subject line of the email, like "Smith Definition mini."

Monday, October 15 - #2 RW DUE

Exemplification, pp. 209-217.

Essays, pp. 223-255

Colleen Murphy, "Lifosuction"
Trip Gabriel, "Computers Help Unite Campuses But Also Drive Some Students Apart"
Ralph Ellison, "On Being the Target of Discrimination"
Barbara Ehrenreich, "What I've Learned from Men: Lessons for a Full-Grown Feminist"
Jonathan Kozol, "Untouchables"

Mini-essay topics: p. 227 #2; 233 #2; 241 #2; 246 #2; 2556 #2. Put your last name and a short title in the subject line of the email, like "Smith Exemplification mini."

Module 3 - Description

Description is a technique you can use in any kind of writing to make the essay more vivid. Here we'll concentrate on the description itself.

Thursday, October 18 - Description pp.101-113

Essays, pp. 119-146

N. Scott Momaday, "The Homestead on Rainy Mountain Creek"
Alfred Kazin, "My Neighborhood"
Rick Bass, "A Winter's Tale"
Annie Dillard, "The Deer at Providencia"

Mini-essay topics: pp. 123 # 2; p. 128 # 2; p. 133 #2; p. 139 #2. Put your last name and a short title in the subject line of the email, like "Smith Description mini."

Now it's time to choose an description topic for your third major essay, due Monday, October 22.

Here are some useful topics and a checklist: Topics: p. 152; Checklist: p. 112

Take time to explore the websites in the left (green) column for advice and examples of good descriptive writing. As you work on your main descriptive essay, remember that the techniques you are encouraged to use, especially showing rather than telling, can be used to good effect in all your writing, including rewrites you are doing in this course. You can't write good description without being specific, which is good advice for everything you write.

Write a three to four page essay. Remember that you can develop one of your mini-essays into the major essay. Send the essay to me as an email attachment. Put your last name and "#3 Description" in the subject line of the email. Sign up for a conference time. You may rewrite this essay as many times as you wish. Each new version will be graded, and the new grade will replace the former grade.

Monday, October 22 - Description PAPER #3 DUE (Description)

Essays, pp. 141-150, 657-659. 676-681

Gretel Ehrlich, "Struck by Lightning"
Alberto Riós, "The Vietnam Wall" (poem)
Richard Rodriguez, "Complexion"
E.B. White, "Once More to the Lake"

Mini-essay topics: pp. 148 #2; 151 #2; 661 #2; 683 #2. Put your last name and a short title in the subject line of the email, like "Smith Description mini 2."

Module 4 - Persuasion

This module is the most challenging for most students. Notice that Patterns for a Purpose deals with Argument and Persuasion, and makes a distinction between them. Argument generally refers to formal argument based on classic rhetorical strategies, and is a difficult form which I think needs its own course. Here we will study persuasive writing, which is the kind you are most likely to use in college and in your professional life, as well as in your life as a citizen.

Thursday, October 25 - Persuasion

First, we'll return to some basic strategies for organization: read pp. 39-51 on Topic and Thesis. We have not spent time on the thesis directly, but you have used a thesis approach in your expository essay. It's important to see the difference between a topic, which is a subject you wish to write about, and a thesis, which is your specific interpretation of the topic, your attempt to persuade the reader to agree with your point of view, or your call to action.

Here are two mixed form essays which have persuasive components:

Pagan Kennedy, "One Room, 3000 Brains," pp. 662-668.
Esther Thorson, "Dissect an Ad," pp. 670-673.

Also start reading the editorial page of your local newspaper, or a major national newspaper.

Monday, October 29- Persuasion #3 RW DUE

Read pp. 50-57 on Outlining and Drafting. Writing persuasively calls for special care in organization and development.

Read pp. 543-551 to learn some of the basic techniques of persuasive writing. Notice especially the three modes of rhetoric: reasoning and logic (called logos, Greek for word), emotions (called pathos, Greek for feeling), and values and beliefs (related to the Greek ethos or ethical appeal). Ethos is a quality which a speaker or writer projects to persuade the audience to agree with him or her: expertise, personal experience, or any other quality the audience might find appealing.

PRO and CON: "Should the Law Allow Cloning of Embryonic Stem Cells?" (pp. 564-579)

Jeremy Rifkin, "Why I Oppose Human Cloning, pp. 566-571
Raymond Barglow, "A Reply to Rifkin," pp. 573-577

Thursday, November 1- Persuasion

Read pp. 551-561 on Argumentation-Persuasion

"What Speech Does the First Amendment Protect On College Campuses?" (pp. 604-637)

Nat Hentoff, "Free Speech on Campus"
Charles R. Lawrence III, "The Debate Over Placing Limits on Racist Speech Must Not Ignore the Damage It Does to Its Victims"
Harvey A. Silvergate and Greg Lukianoff, "Speech Codes: Alive and Well at College"
Howard M. Wasserman, "Fan Profanity"
Robert O'Neil, "What Limits Should Campus Networks Place on Pornography?"

Mini-essay topics:

Monday, November 5- Persuasion

"Is Justice Served by Trying Juvenile Offenders as Adults?" (pp. 580-604)

New York Times editorial, "Little Adult Criminals"
Laurence Steinberg, "Should Juvenile Offenders Be Tried as Adults?"
Linda J. Collier, "Adult Crime, Adult Time"
Timothy Roche and Amanda Bower, "Young Voices from the Cell"

Mini-essay topics:

Thursday, November 8- Brainstorming topics

I'm going to rule out the most famous controversial topics, since experience teaches that even experts have great difficulty with topics which are emotionally loaded. So please do not suggest capital punishment, euthanasia, abortion, affirmative action, or other loaded topics. You are looking for a topic which you have some familiarity with, something local, not national or global. If you become a famous editorial writer later in your career, you can tackle the impossible topics.

Here more than anywhere else follow the classic advice: write about what you know. One student wrote successfully about how her local government needed reform in hiring policies after she observed during a summer job at Town Hall how personal favorites were promoted over competent job applicants.

If your topic requires you to present background material, like data or quotations, read the section on Quoting, Summarizing, and Documenting: pp.652-670.

Monday, November 12 - Peer editing PAPER #4 DUE (Persuasion)

Peer Editing Guide

How To Ask For and Receive Feedback on Your Writing

Thursday, November 15 - Peer editing

Peer Editing: Serving as a Reader

Monday, November 19- Peer editing #4 RW DUE

Peer Editing Students' Papers

Thanksgiving Holidays

Portfolio

Monday, November 26 - Preparation of Portfolio

Reference from e-Portfolio.org

Writing Portfolios: What Teachers Learn…