What Did Shakespeare Look Like?
Shakespeare II - En 356
Dr. Richard Regan
Spring 2010
Office hours: Monday 2-3, Wednesday 2-3, Thursday 2-3, and by appointment.
Texts: Signet Classic editions of the plays listed below.
Grading: Three tests and an optional paper, each of equal weight in the final grade.
Modified contract: an 8-10 page optional paper to be eligible for a grade of A or A-. Papers may be rewritten after a conference. Topics must be in writing and approved in conference.
Required: 1) two tests based closely on the texts of the plays and a final exam; 2) weekly summaries/responses to critical articles or WWW sites. These are graded as quizzes and can raise or lower the final grade.
Attendance: for every three cuts, a point will be deducted from your semester average. Excused absences by written note from a Dean's office, Student Services/Health Center, or your faculty advisor. Excessive absences may result in a failing grade.
You should submit your papers electronically, written in Microsoft Word. Word has a feature called Track Changes which we can use to write comments on papers (in color). Click here to download a document that contains some suggestions for writing in Word and for emailing papers as attachments.
Final Exam: essays and passages for analysis.
Students with documented learning disabilities, please see me. Alternative methods of testing and evaluation are available.
Powerpoint Slide Shows from Hardy Cook and the Shaksper archives
"The Elizabethan Theatre": a lecture with slides
Designing Shakespeare (home)
Designing Shakespeare (digital resources)
Shakespeare in Performance Institute Acting Exercises
Internet
MetaSites for Shakespeare
Terry Gray's Mr. William Shakespeare and the Internet
Encyclopaedia BritannicaWas Shakespeare Shakespeare? The Authorship Controversy
The Shakespeare Discussion List Archive
Teachers FirstPolydore Vergil's Anglica Historica (1555)
Podcasts (allow several minutes for download)
Shakespeare for Today (55 minutes)
Professor Ronald Rebholtz,
Stanford University, Reunion Homecoming 2004
http://itunes.stanford.edu/
American
Shakespeare Center
The ASC offers a number of different podcasts, including This Week at the
Blackfriars, the Blackfriars Backstage Pass, the American Shakespeare Center
Chronicles, and Doctor Ralph Reveals All.
You can find links to all of these podcasts at the American Shakespeare Center's
Podcast Central; you can also subscribe to all ASC podcasts through the iTunes
Music Store Podcast Directory, or through any number of web-based podcasting
sites, including Podcast
Pickle.
American Shakespeare Podcast Central (Blackfriars Playhouse)
Mobile Phone Shakespeare
iTunes Store: Search <Shakespeare> for a free app for the iPhone with searchable text
Mobile Open Source Shakespeare
Here are the instructions for viewing the Class pages and video clips. You'll need a password from Dr. Regan: rjregan@mail.fairfield.edu
Streaming
video is a part of the course because I've written classes to be interactive
with excerpts from performances. You will need a broadband internet connection.
Cable or DSL will work. Satellite is probably OK too. Dialup is too slow for
video.
As you scroll down the course page, for each of the plays you will see a link
called "Click." That will take you to the Class, and when you click
on a video clip you will see a password box. The password will be given out
in class, a security measure because the TEACH Act passed by Congress in 2002
allows only enrolled students to have access to copyrighted materials for educational
purposes. Our method of streaming will open the clip on your computer in QuickTime,
though if you are a Windows user RealPlayer may open it instead. QuickTime comes
standard on Macs, and if you Windows users do not have it, you can download
it (bundled with iTunes) from:
http://www.apple.com/itunes/download.
These video clips are also available from iTunes University, together with audio podcasts of our classes and some documents for each play. The clips can be expanded to full screen. Documents can be viewed as .pdf files only in iTunes, but the audio and video files can be synched to your iPod. If you are on the class roster, you have access through:
Enter your NetID number as your user name. The password is your NetID password. This login will work as soon as the class begins.
If you are a Windows user, you can get iTunes free at:
http://www.apple.com/itunes/download/ (scroll to the Windows links)
Schedule
Week of:
January 18 - Introduction to Comic Theory and As You Like It
Read the Works of Shakespeare at MIT
The Internet Shakespeare Editions
January 25 - As You Like It
Read: the play and the Signet Introduction, and the articles by Gardner, Erickson, and Howard
CLICK to go to the class on the play.
"Instruction Versus Deception: from Rosalynde to As You Like It"
"Orlando and the Golden World: the Old World and the New in AYLI"February 1 - Twelfth Night
Read: the play and the Signet Introduction, and the articles by Bamber, Kimbrough, and Howard
CLICK to go to the class on the play."Trevor Nunn's Twelfth Night": Contemporary Film and Classic British Theatre"
February 8 - Sonnets
Read: the poems and the Signet Introduction, and the articles by Empson, Smith, and Nowottny
"The amazing web site of Shakespeare's Sonnets"
Shakespeare's Sonnets (1609): A Guide to Electronic Texts
Was Shakespeare Shakespeare? The Authorship Controversy
February 15 - Julius Caesar
(Monday schedule meets on Tuesday)
Read: the play and articles by Mack and Kahn
CLICK to go to the class on the play.
PAPER TOPICS
"Caesar"s Reviving Blood: Shakespeare and the Religion of Revolution"
William Shakespeare's Julius Caesar (from Perseus at Tufts)
"An English Renaissance Understanding of the Word 'Tragedy'"
"Shakespeare and the Tragic Virtue"
EXAM (after Julius Caesar, perhaps next week)
February 22 - Hamlet
Read: the play and the Signet Introduction
CLICK to go to the class on the play.
"Shakespeare and the Public Discourse of Sovereignty: 'Reason of State' in Hamlet"
"Who Knows Who Knows Who’s There? An Epistemology of Hamlet (Or, What Happens in the Mousetrap)"
Read: articles by Mack, Ornstein, Heilbrun, and Belsey
"Multiplicity of Meaning in the Last Moments of Hamlet"
Hamlet on the Ramparts (see "Films")
"'Too Much in the Black Sun': Hamlet's First Soliloquy, A Kristevan View
"An English Renaissance Understanding of the Word 'Tragedy'"
SPRING HOLIDAYS
March 15 - Othello
Read: the play and the Signet Introduction, and the articles by Mack and Sprengnether
CLICK to go to the class on the play.
"'That Which Heaven Hath Forbid the Ottomites':The Turks in Shakespeare's Othello"
Shakespeare on Screen: Threshold Aesthetics in Oliver Parker's Othello
(access to video clips)
Cinthio's Tale: The Source of Shakespeare's Othello
Bibliography on Shakespeare's Women
March 22 - Measure for Measure
Read: the play and the Signet Introduction, and the article by Poulsen
CLICK to go to the class on the play.
"Desperate Measures: Politics and the Process of Performance"
"Vincentio's Fraud: Boundary and Chaos, Abstinence and Orgy in Measure for Measure" (click on title)
"The Role of the Clown in Shakespeare's Theatre"
EXAM
March 29 - King Lear
Read: the play and the Signet Introduction, and the articles by Mack, Bamber, and Brown
CLICK to go to the class on the play.
"King Lear in its Own Time: The Difference That Death Makes"
Joyce Carol Oates, "Is This the Promised End..."
"Faires and Gods: A Socio-Religious Context for King Lear
EASTER
HOLIDAY
April 5 - King
Lear
PBS Site on Ian McKellan's Lear
"King Lear Beyond Reason: Love and Justice in the Family"
"Performing the Bodies of King Lear"
(see "Introductory notes on Tragedy" links)
PAPERS DUE
April 12 - King Lear
Notes on Macbeth
Read: the play and the Signet Introduction, and the articles by Danby, Adelman, and Novy
CLICK to go to the class on the play.
Plutarch on Antony and Cleopatra
"Roman Letters and Egyptian Performatives"
A Review of Janet Adelman's "Suffocating Mothers"
playing in the Black Box April 20-28
April 26 - The Winter's Tale
Read: the play and the Signet Introduction, and the articles by Tillyard, Knight, Neely, and Kahn
CLICK to go to the class on the play.
May 3- The Tempest
Read: the play and the Signet Introduction, and the articles by Knox, Leininger, and Greenblatt
Dante's definition of allegory
CLICK to go to the class on the play.
"Natural and Colonial Education in Shakespeare's The Tempest
FINAL EXAM: Monday, May 10 at 9 am